Apparatus 22

APPARATUS 22 is a transdisciplinary art collective founded in January 2011 by current members Erika Olea, Maria Farcas, Dragos Olea together with Ioana Nemes (1979 - 2011) in Bucharest, Romania. Beginning with 2015 they are working between Brussels and Bucharest. 

They see themselves as a collective of dreamers, researchers, poetic activists and (failed) futurologists interested in exploring the intricate relationships between economy, politics, gender studies, social movements, religion and fashion in order to understand contemporary society. A recent topic of research and reflection in the practice of Apparatus 22 is their SUPRAINFINIT universe: a world-making attempt to use hope critically in navigating present and future. In their very diverse works –installations, performances, text based-shapes– reality is mixed with fiction and storytelling and all merge with a critical approach drawing knowledge & experience from design, sociology, literature and economics. 

The work of Apparatus 22 was presented in exhibitions at La Biennale di Venezia 2013, MUMOK, Vienna (AT),   BOZAR – Centre for Fine Arts, Brussels (BE), Museion, Bolzano (IT), Kunsthalle Wien (AT), La Triennale di Milano (IT),  Académie Royale des Beaux-Arts de Bruxelles (BE), Brukenthal Museum Contemporary Art Gallery, Sibiu (RO), Akademie Schloss Solitude, Stuttgart (DE), Contemporary Art Museum (MNAC), Bucharest (RO), KunstMuseum Linz (AT), CIAP, Hasselt (BE), TRAFO Gallery, Budapest (HU), Futura, Prague (CZ), Ujazdowski Castle – Centre for Contemporary Art, Warsaw (PL),  Onomatopee Eindhoven (NL), TIME MACHINE BIENNIAL OF CONTEMPORARY ART, D-0 ARK UNDERGROUND, Konji (BIH), Osage Foundation (Hong Kong), Progetto Diogene, Turin (IT), Young Artists Biennial, Bucharest (RO), Oberwelt, Stuttgart (DE), Nieuwe Vide, Haarlem (NL), Nest, Den Haag, (NL),  Salonul de Proiecte, Bucharest (RO),  Barriera, Turin (IT ), MAFA, Arad (RO), Suprainfinit Gallery, Bucharest (RO),  GALLLERIAPIÙ, Bologna (IT);

performances at MAK, Vienna (AT), Steirischer Herbst, Graz (AT), Stedelijk Museum with De Appel CP Amsterdam, (NL), Yarat Academy, Baku (AZ), Württembergischer Kunstverein Stuttgart (DE), Drodesera Festival, Dro (IT), Villa Empain, Brussels (BE) etc.

Apparatus 22 also works beyond institutions via performances in public spaces, interventions in private spaces and other hybrid forms.
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